Lupincatstore - It’s a Dallas Cowboys and Tequila kinda day shirt
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It also makes sense within the It’s a Dallas Cowboys and Tequila kinda day shirt Furthermore, I will do this homespun context of Stefani’s looks more generally. Inevitably, given the small budgets the band was working with at that time, the look for the video was one Stefani cobbled together from a variety of vintage finds, customized pieces, and a few trips trawling her local branches of Sears and JCPenney to track down the perfect oversized undershirts. “There was nobody telling us what to wear,” Stefani notes. “That was just me literally wearing exactly the clothes that I would wear every day.” In many ways, it also served as the beginning of Stefani’s long and very genuine love for the world of fashion. Not only is there the long list of designers she reels off as favorites on her debut solo album, 2004’s Love. Angel. Music. Baby.—including Vivienne Westwood, Comme des Garçons, and John Galliano’s Dior—but also her second career as a designer, most notably with her labels L.A.M.B. and Harajuku Lovers.
“Basically everything I did in that video, I did myself,” Stefani says. “I didn’t have a stylist. The pants were just a pair of Dickies I always used to wear, and I ended up gluing or sewing that stripe down the It’s a Dallas Cowboys and Tequila kinda day shirt Furthermore, I will do this leg of the pants. The G belt is literally just one of those belts you can get that has your initial on it. And the top I’m wearing inside the car that says ‘Anaheim,’ I made that. Those are just those rainbow press-on letters I put on the shirt myself.” The chain belt that became a staple Stefani piece was also inspired by the immediate surroundings of her Anaheim upbringing. “It was the ’90s after all, so any guy who was a skater or a punk wore a chain belt,” she adds. “So I was kind of a guy from the waist down in everything I wore.”
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